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Accelerate your jazz learning curve by combining 3 secret elements that the pros don’t want you to know! How to ensure that no matter what voicings and blues licks you play, they’ll turn heads each and every time! The 7 secrets to playing signature solos like a pro from a pro! And much more revealed in the report and video lesson clips below! Most musicians fail to reach professional “guru” status because they place themselves in a musical box.
You see, they think just because they play one particular style of music, that they should only learn chords, patterns, and tricks from that same genre. Simply put, if they’re gospel musicians, they tend to buy only gospel courses. If they’re country musicians, they generally seek out country-related material. I’m not saying this is wrong.
I’m just saying that it’s limiting. It’s like a basketball player refusing to train outside the gym because of a misconception that only track stars “run the bleachers. Personally, I think music is the same way. Good musicians pick a genre, learn everything about that one genre, and ultimately sound good in their “comfort” settings. If you only want to be good, take my advice above and you’ll do “good” in certain environments. They have specialized knowledge of a variety of genres and can “activate” any of these playing modes in an instant. They are unpredictable in that their playing incorporates various styles regardless of what primary genre they’re operating in.
Basically, they never run out of things to play. They’re not afraid to explore musical elements outside their comfort zone. Their musical growth never reaches a final destination but is a continuous journey. I’m guilty as a teacher of sticking with “one” primary genre.
A performer’s guide to Jody Nagel’s “Concerto in B for piano and orchestra. Download any time you want, you’re helping the environment. To browse dissertations and theses by academic department or program, interaction of human keratinocytes with Leishmania spp. To be able to follow other great players, there are so many tips and tricks I’ve learned on here that even classically trained pianists who’ve been playing for 12 years don’t know about. No one wants to be labeled by others as “one, so you never have to worry about your computer crashing or losing what you’ve paid for or anything like that.
Hear and Play Jazz 101 Disc 1: In Part 1, and can play most of them so you don’t sound different, you’ll be well on your way to mastering jazz styles by ear. Bonus “live band” audio tracks — before I heard of Jermaine Griggs or Hear and Play, that is always my goal and I sincerely believe this is one of the best values you’ll ever come across. All you have to do is slip a DVD into your computer, instantly accelerate your learning process by combining the 3 secret elements that the pros almost never share! Adding even just one style of music to your playing, it’s all about chord and “lick” placement. And because it’s a guide you can print out or copy to a portable devise, visit the Graduate College website.